Tag Archives: Torah

Jew of the Week: Sarmad

The Persian Jew Who Inspired India

18th century illustration of Dara Shikoh (right) learning with Sarmad

Sa’id Sarmad Kashani (c. 1590-1661) was born in Armenia to a religious Persian-Jewish family of merchants. At a young age, he translated the Torah into Farsi. He later took up studies under Muslim scholars and mystics like Mulla Sadra and Mir Findiriski. Some believe he nominally converted to Islam at this time, but remained a practicing Jew. On one merchant trip to Mughal India, Sarmad met a Hindu scholar called Abhay Chand. The two learned about each other’s faiths, and it is believed Chand converted to Judaism. Sarmad eventually gave up his wealth and became an ascetic wandering mystic. He and Chand traveled and taught together all across India, eventually settling in Delhi. Sarmad made a great name for himself as a poet and philosopher. Over 300 of his short poems have survived to this day. He also wrote the entry for “Judaism” in the 17^th-century Dabistan, an anthology explaining all of the world’s religions. The Mughal crown prince Dara Shikoh (whose father built the Taj Mahal) was so impressed by Sarmad’s wisdom that he became a disciple, too. Sarmad went on to devise a new mystical system, drawing on Judaism, Sufi Islam, and Hinduism. Countless followers and disciples across India learned from him. However, when Dara Shikoh was deposed by his brother, the new Mughal emperor executed Shikoh and all of his associates, including Sarmad. The emperor demanded that Sarmad recite the Shahadah (proclaiming “there is no God but Allah and Muhammad is His prophet”), but Sarmad refused and was beheaded. According to legend, Sarmad then picked up his own head and walked away—and the new emperor never had a peaceful night’s sleep ever again! Sarmad’s tomb became a popular pilgrimage site and is still revered as a holy place in India today. His story inspired numerous Indian leaders, including Abul Kalam Azad, a colleague of Gandhi (and his predecessor as president of the Indian National Congress). Azad once described himself as a modern-day Sarmad. Scholars see “Sarmad the Jew” as a key figure in the history of religions; a mystic that influenced the development of Judaism, Islam, and Hinduism; as well as an early pioneer of interfaith dialogue.

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Words of the Week

In the chronicles of world history, no question has managed to capture the world’s interest for very long; a few decades seems to be the outer limit for consideration of even the most pressing global problems. But the world has been busy trying to figure out the question of the Jews for thousands of years – and they have not tired of the discussion! In every generation, the old questions arise anew: Are the Jews good or bad? Do the Jews bring benefit to the world or do they cause problems? Why, it is as if we have just appeared on the scene – as if the world has never before known what a Jew looks like!
– Rabbi Yerucham Levovitz (1875-1936)

Jew of the Week: Marc Chagall

The Colour Master

Moishe Shagal (1887-1985) was born in the shtetl of Liozna, in what is today Belarus, the oldest of nine children in a Hasidic Jewish family. Shagal went to a religious heder school until age 13, but wanted to learn a wider breadth of subjects, so his mother managed to bribe a local high school to take him in. (Jews were then forbidden from public schools, and the bribe was a whopping 50 roubles—three months salary—a small fortune for their impoverished family.) This is where he discovered his passion for art. He soon enrolled in Yehuda Pen’s art school in Vitebsk, and was given free tuition since he was so poor. While most Jewish artists in Russia at the time hid their Jewishness, Shagal embraced it. He would later say how Hasidism greatly influenced his artwork, and many of his pieces are deliberately meant to preserve Jewish culture. He wrote that every single one of his artworks “breathed” with the “spirit and reflection” of his childhood home and memories. In 1906, Shagal moved to St. Petersburg and joined a prestigious art academy (using a friend’s passport). A few years later, he left to Paris and henceforth went by “Marc Chagall”. Among his biggest influences were Rembrandt, Van Gogh, and (former Jew of the Week) Pissarro, though he did not want to be associated with any particular type of art. An exhibit in Germany in 1914 first brought him wider renown. He then returned to Russia to get married and start a family. In 1917, while broke and going hungry for days, Chagall was offered a job as arts commissar in Vitebsk. He accepted, and went on to found the Vitebsk Arts College which would go on to become the top art academy in the USSR. A few years later, Chagall moved to Moscow to be the stage designer of the State Jewish Chamber Theater, where he produced some of his most famous murals. In 1923, Chagall moved yet again, back to France, and partnered with Ambroise Vollard. The latter commissioned many of Chagall’s greatest works, including illustrations from the Tanakh. For inspiration, Chagall moved to Tel-Aviv and stayed at the home of Meir Dizengoff, the city’s first mayor. (That home was where the State of Israel would be proclaimed in 1948, and is today known as Independence Hall.) The Holy Land made a huge impact on Chagall, causing him to become something of a ba’al teshuva and return to his Jewish faith. He immersed himself in Jewish studies, and worked diligently on his “Old Testament” collection (which took until 1956 to complete, and was then hailed as being “full of divine inspiration”). Chagall returned to France shortly before the Nazi invasion. He was imprisoned and had his citizenship revoked. Pressure from the United States got him released, and he arrived in New York in the summer of 1941. His favourite hangout was the heavily-Jewish Lower East Side, where Chagall felt at home and spent much of his time socializing in Yiddish. Meanwhile, Chagall worked as a set and costume designer for the Ballet Theatre. He would return to France after the war, and in his later years produced sculptures, ceramics, tapestries, and stained glass. He painted the ceiling of the Paris Opera (covering 2400 square feet and using 200 kilos of paint), and wrote an autobiography, too. Chagall has been called the “greatest image-maker” of our time, and Picasso said that he was “the only painter left who understands what colour is.”

Words of the Week

I did not see the Bible, I dreamed it. Ever since early childhood, I have been captivated by the Bible. It has always seemed to me and still seems today the greatest source of poetry of all time.
– Marc Chagall

Marc Chagall’s “Abraham and the Three Angels”

Jew of the Week: Moses Mendelssohn

Father of Jewish Enlightenment

Moshe ben Mendel (1729-1786) was born in the Germanic municipality of Dessau to an impoverished, religious Jewish family. His father was a sofer (a Torah scribe), and trained young Moshe in the scribal arts, as well. Moshe also learned Torah and Talmud with Rabbi David Frankel. When Frankel took up a rabbinic post in Berlin, Moshe moved with him to the capital. To keep him safer and open more opportunities, his father had asked him to make his name more German-sounding, resulting in the name Moses Mendelssohn (“son of Mendel”). Mendelssohn continued in his rabbinic studies with the intention of becoming a rabbi, but also took up the study of mathematics, Latin, and philosophy. He soon began learning French and English as well, with an influential Jewish physician and tutor. That tutor introduced Mendelssohn to renowned German philosopher and writer Gotthold Ephraim Lessing. The two became good friends, and Mendelssohn inspired Lessing’s popular play Nathan the Wise. Mendelssohn’s genius soon spread throughout the secular world, and he even won the top Berlin Academy prize for mathematical proofs of metaphysics (second place went to Immanuel Kant!) In 1763, the King of Prussia granted Mendelssohn the special status of schutzjude, “Protected Jew”. At a time when secularism and atheism were sweeping Europe, Mendelssohn remained a believer and resolved to convince the masses On the Immortality of Souls, published in 1767. The treatise became so popular that people began calling him the “German Plato” and the “German Socrates”. In 1775, an order of expulsion was being drawn up against Swiss and German Jews, so Mendelssohn intervened to get the expulsion rescinded. Mendelssohn was constantly mired in theological debates with his German acquaintances, and often pressured to convert to Christianity. He resisted and defended his faith. Nonetheless, the stress was so great on him that he eventually fell deeply ill and was bedridden. At this point he resolved “to dedicate the remains of my strength for the benefit of my children or a goodly portion of my nation”. To make it more accessible to a wider audience, he started a new German translation and commentary of the Torah. The resulting Biur was hugely popular, and received approbations from many rabbis. Meanwhile, he worked to get various restrictions on Jews repealed, and played an instrumental role in getting Jews in Europe basic human and civil rights. In his Jerusalem, he argued passionately for freedom of religion, and for the Christian authorities to leave the Jews alone. Mendelssohn corresponded with one of the leading sages of the day, Rabbi Yakov Emden, and wrote how he “thirsted” for the rabbi’s teachings. Intriguingly, while Rabbi Emden had criticized the Zohar (the famous “textbook” of Jewish mysticism), Mendelssohn actually defended its authenticity. He also defended the authenticity of nikkud, the traditional Hebrew vowel system. Although he was widely admired and respected in his own day, Mendelssohn’s work opened up the door to more Jews learning secular subjects and entering mainstream society, which led to wider assimilation. Four of his own six children ended up converting to Christianity, and just one grandson remained Jewish. (Another grandson was renowned composer Felix Mendelssohn.) Mendelssohn was later credited with being the “father of Haskalah”, the so-called “Jewish Enlightenment”. Because of this, in the decades after his death he became something of a villain in the Orthodox world, and any positive mention of his name was expunged. Today, he is still viewed negatively in religious Jewish circles, although he had truly done a great deal on behalf of the Jewish people.

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Video: The Myth of Moses Mendelssohn

Words of the Week

If you believe you can damage, believe you can repair.
– Rebbe Nachman of Breslov