Tag Archives: St. Petersburg

Jew of the Week: Marc Chagall

The Colour Master

Moishe Shagal (1887-1985) was born in the shtetl of Liozna, in what is today Belarus, the oldest of nine children in a Hasidic Jewish family. Shagal went to a religious heder school until age 13, but wanted to learn a wider breadth of subjects, so his mother managed to bribe a local high school to take him in. (Jews were then forbidden from public schools, and the bribe was a whopping 50 roubles—three months salary—a small fortune for their impoverished family.) This is where he discovered his passion for art. He soon enrolled in Yehuda Pen’s art school in Vitebsk, and was given free tuition since he was so poor. While most Jewish artists in Russia at the time hid their Jewishness, Shagal embraced it. He would later say how Hasidism greatly influenced his artwork, and many of his pieces are deliberately meant to preserve Jewish culture. He wrote that every single one of his artworks “breathed” with the “spirit and reflection” of his childhood home and memories. In 1906, Shagal moved to St. Petersburg and joined a prestigious art academy (using a friend’s passport). A few years later, he left to Paris and henceforth went by “Marc Chagall”. Among his biggest influences were Rembrandt, Van Gogh, and (former Jew of the Week) Pissarro, though he did not want to be associated with any particular type of art. An exhibit in Germany in 1914 first brought him wider renown. He then returned to Russia to get married and start a family. In 1917, while broke and going hungry for days, Chagall was offered a job as arts commissar in Vitebsk. He accepted, and went on to found the Vitebsk Arts College which would go on to become the top art academy in the USSR. A few years later, Chagall moved to Moscow to be the stage designer of the State Jewish Chamber Theater, where he produced some of his most famous murals. In 1923, Chagall moved yet again, back to France, and partnered with Ambroise Vollard. The latter commissioned many of Chagall’s greatest works, including illustrations from the Tanakh. For inspiration, Chagall moved to Tel-Aviv and stayed at the home of Meir Dizengoff, the city’s first mayor. (That home was where the State of Israel would be proclaimed in 1948, and is today known as Independence Hall.) The Holy Land made a huge impact on Chagall, causing him to become something of a ba’al teshuva and return to his Jewish faith. He immersed himself in Jewish studies, and worked diligently on his “Old Testament” collection (which took until 1956 to complete, and was then hailed as being “full of divine inspiration”). Chagall returned to France shortly before the Nazi invasion. He was imprisoned and had his citizenship revoked. Pressure from the United States got him released, and he arrived in New York in the summer of 1941. His favourite hangout was the heavily-Jewish Lower East Side, where Chagall felt at home and spent much of his time socializing in Yiddish. Meanwhile, Chagall worked as a set and costume designer for the Ballet Theatre. He would return to France after the war, and in his later years produced sculptures, ceramics, tapestries, and stained glass. He painted the ceiling of the Paris Opera (covering 2400 square feet and using 200 kilos of paint), and wrote an autobiography, too. Chagall has been called the “greatest image-maker” of our time, and Picasso said that he was “the only painter left who understands what colour is.”

Words of the Week

I did not see the Bible, I dreamed it. Ever since early childhood, I have been captivated by the Bible. It has always seemed to me and still seems today the greatest source of poetry of all time.
– Marc Chagall

Marc Chagall’s “Abraham and the Three Angels”

Jew of the Week: Yitzhak Sadeh

Israel’s First Commando

Yitzhak Sadeh

Izaak Landoberg (1890-1952) was born to a religious Jewish-Polish family in Lublin, then part of the Russian Empire. He was a student of Rabbi Hillel Zeitlin in his youth, but drifted towards secularism as a young adult. An avid athlete, Landoberg particularly enjoyed wrestling, and was once crowned St. Petersburg’s wrestling champion. When World War I broke out he joined the Russian Army and fought valiantly, receiving a medal. During this time, he met Joseph Trumpeldor and became a Zionist. He helped Trumpeldor establish the HeHalutz movement, which trained young Jews in agricultural work to settle the Holy Land. In 1920, he made aliyah and changed his last name to Sadeh, “field”. He joined the Haganah, and co-founded Gdud HaAvoda, the Labor and Defense Battalion, along with 80 others who worked tirelessly to drain swamps, pave roads, plant farms, defend Jewish settlements, and build kibbutzim. Sadeh defended the Jewish residents of Haifa and surrounding towns during an Arab uprising in 1929, and again during the Arab riots between 1936-1939 as the commander of the Jewish Settlement Police. It was during this time that he created two new fighting units. The first was Nodedet, a troop unit that started going on the offensive instead of always being on the defence from Arab violence. The second was Plugot Sadeh, “Field Companies”, the Haganah’s commandos, the first Jewish elite strike force. This evolved into the Palmach in 1941, which Sadeh commanded until 1945. At that point, he was made Chief of Staff of the Haganah, and set the foundations for the future IDF, crafting its first protocols, structures, and training procedures. Sadeh played an instrumental role during the War of Independence, commanding several brigades and creating Israel’s first armoured (tank) brigade, too. Sadeh retired at the war’s end with the rank of major general, and went on to have a successful literary career, publishing a variety of books, essays, and plays. Today there is a Yitzhak Sadeh Prize for Military Literature given in his honour, as well as several kibbutzim and many streets named after him in Israel. There is also a “Yitzhak Sadeh Wandering Song Club” with hundreds of members (mostly soldiers) that gather over bonfires, food, Israeli folk songs, and Sadeh’s wise words, seeing in Sadeh their spiritual mentor. Sadeh is recognized as one of the “fathers of the IDF”. This friday is his yahrzeit.

14 Tefillin Facts Every Jew Should Know

The Significance of Judaism’s Four Holy Cities

Words of the Week

If I am to understand that you are inquiring whether I am of Jewish origin, I can only reply that I regret that I appear to have no ancestors of that gifted people.
– J.R.R. Tolkien

Jews of the Week: Matvei Blanter and Solomon Mikhoels

Matvei Isaakovich Blanter (1903-1990) was born in the Russian Empire in a small Ukrainian town. He studied music and became a master pianist and violinist. In the 1920s, Blanter became popular for his dance and jazz songs. After the rise of Stalin, he was “recruited” to write propaganda pieces and composed some of the Soviet Union’s greatest hits. In 1938, he wrote the music for the internationally-acclaimed song “Katyusha”, by far the most well-known Russian tune in the world. (Click here to listen.) It was so popular that it lent its name to one of Russia’s most famous military weapons: the Katyusha rocket. A recent poll found that it is still the 13th most listened to song in Russia. Also in 1938, Blanter wrote “The Football March”, which would be played before every Russian soccer game – and still is today! All in all, Blanter composed over 200 songs. He was awarded the Stalin Prize and the People’s Artist of the USSR. In the last days of World War II, Stalin sent Blanter to Berlin to compose a victory symphony. He wound up with the Russian general right when a German delegation came to sue for a peace treaty. Blanter was quickly shoved into a tiny closet while the generals negotiated. Running out of air, he passed out and fell out of the closet, embarrassing everyone in the room. Some say this is the origin of the expression to “come out of the closet”.

Mikhoels with Albert Einstein, during his 1943 fundraising tour

Blanter’s uncle was Shlomo Mikhoels (1890-1948). Born in Latvia to a religious Jewish family, he studied law in St. Petersburg before joining a Jewish theatre group. In 1920, Mikhoels co-founded the first Jewish acting studio in Moscow, putting on plays in Yiddish. Lenin soon turned it into the official State Jewish Theatre. By 1928, Mikhoels had become the theatre’s director, as well as its most famous actor. People came from around the world to see his legendary performances. One New York Times reviewer wrote that Mikhoels had put on “one of the most stirring performances of my theatre-going career.” His 1935 role as King Lear (in Yiddish) drew another critic to write: “I do not recall a performance that stirred me as profoundly, to the core, as Mikhoels’ performance of Lear.” Mikhoels had become one of the world’s best Shakespearean actors. He also played Rabbi Alter in Mazel-Tov, and Tevye in the Russian version of Fiddler on the Roof, among many other roles. In 1942, Mikhoels was made chairman of the Jewish Anti-Fascist Committee, and sent around the world to draw support from his fellow Jews for the Soviet war effort against the Nazis. This made him the first official Soviet representative to make such a trip, and he successfully raised millions. However, after the war ended Stalin became increasingly paranoid, and soon began another round of his purges, particularly of Jewish intellectuals. In 1948, he ordered Mikhoels assassinated, and made it look like a car accident. Nonetheless, Mikhoels was given a state funeral. Today, he is recognized as an important artist and pioneer of Russian theatre, and one of Moscow’s main cultural centres is named after him.

Words of the Week

He who has many friends has no friends.
– Aristotle