Tag Archives: Composer

Jews of the Week: Recha Freier & Ruchie Freier

Two Trailblazing Women

Ruchie Freier

Rachel “Ruchie” Freier (b. 1965) was born in Brooklyn to a Hasidic Jewish family. In high school, she took a course in stenography and went on to work as a legal secretary. She soon became a paralegal, and was her family’s breadwinner, supporting her husband’s full-time religious studies. At 30, she realized she was working under lawyers that were younger and less knowledgeable than she was, and made the decision to go to law school herself. Juggling school, work, and raising six kids, it took Freier ten years to earn a bachelor’s degree in political science and a law degree. She passed the bar in 2006, becoming America’s first Hasidic female lawyer. Meanwhile, Freier was heavily involved in community work, and spent time as an advocate for New York’s oft-misunderstood Hasidic Jews. In 2005, she set up a charity called Chasdei Devorah to support poor Jewish families, and in 2008 co-founded B’Derech to help troubled teens. In 2016, she was elected Civil Court Judge after a tough race. That made her the world’s first female Hasidic judge. Freier also serves on New York’s Criminal Court. Amazingly, she is a licensed paramedic, too, and works with Ezras Nashim, an all-female volunteer ambulance service (a branch of the more famous, all-male Hatzalah). The New York Times has appropriately called her a “Hasidic superwoman”. Freier has won multiple awards, and was recently ranked by the Jerusalem Post among the 50 Most Influential Jews in the World.

Recha Freier

Ruchie Freier is not to be confused with Recha Freier (1892-1984), also born to a devoutly Orthodox family, in Germany. Recha Freier experienced tremendous anti-Semitism in her youth, and this inspired her to become a Zionist. Her husband was a rabbi in Berlin, while she taught in a high school and spent the rest of her time writing. In 1932, Freier was asked to help five young men who could not get jobs because they were Jewish. Freier had the idea to send the boys to the Holy Land instead to learn farming. She raised the necessary funds and organized their voyage and settlement. Thus was born what would become the Youth Aliyah. The organization would go on to save 7000 young Jews from Nazi Germany and settle them in Israel. Freier coordinated with (former Jew of the WeekHenrietta Szold to make sure the teens were taken care of in their new home. Freier herself escaped Germany in 1940 by crossing the border to Yugoslavia. There, she saved 150 Jewish orphans. All made it safely to Israel in 1941. Two years later, Freier established the Agricultural Training Center to educate impoverished children. She was also an avid musician and pianist, and in 1958 founded the Israel Composer’s Fund. In addition to composing a number of original musical pieces, Freier wrote works of poetry and Jewish folklore. In 1981, she was awarded the Israel Prize for her contributions, the State’s highest honour.

Words of the Week

If you love life, don’t waste time, for time is what life is made up of.
– Bruce Lee

Jews of the Week: Matvei Blanter and Solomon Mikhoels

Matvei Isaakovich Blanter (1903-1990) was born in the Russian Empire in a small Ukrainian town. He studied music and became a master pianist and violinist. In the 1920s, Blanter became popular for his dance and jazz songs. After the rise of Stalin, he was “recruited” to write propaganda pieces and composed some of the Soviet Union’s greatest hits. In 1938, he wrote the music for the internationally-acclaimed song “Katyusha”, by far the most well-known Russian tune in the world. (Click here to listen.) It was so popular that it lent its name to one of Russia’s most famous military weapons: the Katyusha rocket. A recent poll found that it is still the 13th most listened to song in Russia. Also in 1938, Blanter wrote “The Football March”, which would be played before every Russian soccer game – and still is today! All in all, Blanter composed over 200 songs. He was awarded the Stalin Prize and the People’s Artist of the USSR. In the last days of World War II, Stalin sent Blanter to Berlin to compose a victory symphony. He wound up with the Russian general right when a German delegation came to sue for a peace treaty. Blanter was quickly shoved into a tiny closet while the generals negotiated. Running out of air, he passed out and fell out of the closet, embarrassing everyone in the room. Some say this is the origin of the expression to “come out of the closet”.

Mikhoels with Albert Einstein, during his 1943 fundraising tour

Blanter’s uncle was Shlomo Mikhoels (1890-1948). Born in Latvia to a religious Jewish family, he studied law in St. Petersburg before joining a Jewish theatre group. In 1920, Mikhoels co-founded the first Jewish acting studio in Moscow, putting on plays in Yiddish. Lenin soon turned it into the official State Jewish Theatre. By 1928, Mikhoels had become the theatre’s director, as well as its most famous actor. People came from around the world to see his legendary performances. One New York Times reviewer wrote that Mikhoels had put on “one of the most stirring performances of my theatre-going career.” His 1935 role as King Lear (in Yiddish) drew another critic to write: “I do not recall a performance that stirred me as profoundly, to the core, as Mikhoels’ performance of Lear.” Mikhoels had become one of the world’s best Shakespearean actors. He also played Rabbi Alter in Mazel-Tov, and Tevye in the Russian version of Fiddler on the Roof, among many other roles. In 1942, Mikhoels was made chairman of the Jewish Anti-Fascist Committee, and sent around the world to draw support from his fellow Jews for the Soviet war effort against the Nazis. This made him the first official Soviet representative to make such a trip, and he successfully raised millions. However, after the war ended Stalin became increasingly paranoid, and soon began another round of his purges, particularly of Jewish intellectuals. In 1948, he ordered Mikhoels assassinated, and made it look like a car accident. Nonetheless, Mikhoels was given a state funeral. Today, he is recognized as an important artist and pioneer of Russian theatre, and one of Moscow’s main cultural centres is named after him.

Words of the Week

He who has many friends has no friends.
– Aristotle

Jew of the Week: Lalo Schifrin

Lalo Schifrin

Lalo Schifrin

Boris Claudio Schifrin (b. 1932) was born in Argentina. His father was a professional violinist and concertmaster, and introduced his son to music at a very young age. Schifrin grew up studying under the tutelage of several great composers and conductors. He composed his first piece, inspired by a passage in the Torah, at the age of 15 for his local synagogue. Although he briefly studied law, Schifrin pursued his passion in music and went on to study at the Paris Conservatory. He returned home to start his own jazz orchestra that was soon featured weekly on TV in Buenos Aires. In 1958, Schifrin was offered a job in New York and made the big move. Several years later, MGM offered him the chance to work on a film score. He won his first Emmy Award for Best TV Theme soon after. Schifrin went on to write theme songs and scores for over 160 films and television series, including Dirty Harry, the Rush Hour trilogy, and Planet of the Apes. His score for The Exorcist was so frightening that the director had to scrap it from the film. Undoubtedly, the most famous of his songs is the theme from Mission: Impossible, now considered among the greatest theme songs of all time, and the most widely recognized around the world. It has been popular for nearly 5 decades since Schifrin first composed it in 1966. A U2 remake in 1996 sold 500,000 copies and reached #7 on the Billboard 100. Besides TV and film, Schifrin produced more than 50 musical albums, and composed over 60 orchestral works. For his work, he has been nominated for 6 Oscars and 21 Grammys, of which he has won 4. Despite being an octogenarian, he is still working on film scores and runs his own label, Aleph Records. Schifrin also has a star on Hollywood’s Walk of Fame.

Words of the Week

… the reason imagination is more important than knowledge is because imagination turns out to be the vehicle by which we increase knowledge. And so, if you don’t have imagination, you’re not going to get more knowledgeable.
– Dr. Sylvester James Gates, Jr.