Tag Archives: Iron Man

Jew of the Week: Gene Colan

The Man Behind Captain Marvel

Gene “the Dean” Colan

Eugene Jules Colan (1926-2011) was born in The Bronx to a Jewish family that had changed their last name from “Cohen”. He started drawing when he was just three years old, and spent most of his time afterwards either drawing or reading comics. At 18, he got his first summer job drawing comics. Colan enlisted in the US Army shortly after, and was posted to the Philippines. During his service there, he sent his artwork to the Manila Times, and won an award for it. In 1946, he returned to New York and showed a sample of his work to Timely Comics, later renamed Marvel Comics. Stan Lee hired him on the spot, giving him a job as a “staff penciler” for $60 a week. Colan’s first feature cover was an issue of Captain America. Unfortunately, the comics industry went downhill, and Colan was let go. He did freelance work wherever he could, including at DC Comics, but eventually left the industry. He worked a menial job as an educational illustrator, struggled financially, and went through a difficult divorce. Thankfully things turned around a couple of years later when his second wife inspired him to go back into comics. Colan returned to Marvel during its “Silver Age”, taking over the story line of Iron Man, and introducing his first superhero, Sub-Mariner. He then took on Captain America, Doctor Strange, and Daredevil. In 1967, he and Stan Lee created a popular new character, Captain Marvel, and two years later, they introduced Falcon, the first African-American comic book hero. That same year, Colan and Arnold Drake co-created Guardians of the Galaxy. Throughout the 70s, Colan worked on perhaps his greatest project, the hugely popular 70-issue The Tomb of Dracula. In this run, he created (together with Marv Wolfman) the vampire-slayer Blade. Blade went on to become the first successful Marvel character adapted to film with 1998’s Blade, starring Wesley Snipes. The movie is credited with launching the comic book film craze, leading directly to the Marvel Cinematic Universe, now the highest-grossing film franchise of all time. In 1981, Colan signed with DC and took on Batman, becoming his primary illustrator until 1986, and playing a key role in reviving DC Comics. He also worked on Wonder Woman, and designed her new logo. Colan returned to Marvel once more and worked on Black Panther, then Blade, and Daredevil, among others. By this point he was nearly blind, yet somehow, amazingly, still found ways to continue his artwork. His last comic was Captain America #601 in 2009 – done when he was 83 years old! It earned him a prestigious Eisner Award, the “Oscars of comics”. Colan was renowned for his absolutely unique style, once described as “painting with a pencil”. Along with many other awards, Colan was inducted into the Will Eisner Comic Book Hall of Fame. The latest film in the Marvel Cinematic Universe, Captain Marvel, based on the original work of Colan (together with Roy Thomas), opens in theatres this Friday.

14 Facts About the Code of Jewish Law

Words of the Week

A creative man is motivated by the desire to achieve, not by the desire to beat others.
– Ayn Rand

The film that would lead to the Marvel Cinematic Universe, Blade, and the latest film in the MCU, Captain Marvel, are based on characters co-created and first visualized by Gene Colan.

Gene Colan’s cover art for Captain America #136 (1971) and Daredevil #41 (1968). (Credit: TCJ.com)

Jew of the Week: Stan Lee

The Genius Behind Marvel Comics

Stan Lee (Credit: Gage Skidmore)

Stanley Martin Lieber (1922-2018) was born in Manhattan to Romanian-Jewish immigrants. He grew up in poverty, working all sorts of odd jobs from a young age, including delivering sandwiches and selling newspaper subscriptions. He dreamed of becoming the next great American novelist, and wrote obituaries in his spare time. Upon graduating from high school at 16, he got a job as an assistant at Timely Comics, a company started by his cousin’s husband, Martin Goodman. Lieber spent his time refilling inkwells, erasing pencil marks, and bringing lunches – for $8 a week. Eventually, he got a chance to write something of his own. Joe Simon and Jack Kirby (also Jews) had recently come up with a new hit superhero – Captain America – and needed content. They gave the young man a shot, and he wrote his first story under the pseudonym “Stan Lee”. He would later explain that he did this because in those days comics were still unpopular and generally regarded as silly, and he was embarrassed to put his real name. His story was a success, turning Lee into a writer. When Kirby and Simon left Timely Comics over a dispute with Goodman, Lee was put as a temporary editor, despite being just 19 years old. As his stories continued to be hugely successful, Lee went from temporary editor to editor-in-chief, holding the position for over 30 years (except for a few years of service in World War II). Timely Comics would be renamed Marvel Comics, and Lee would co-create (mostly with Jack Kirby, who returned to the company) some of the most popular superheros of all time, including Spider-Man, Iron Man, and the Hulk; the X-Men, Fantastic Four, and the Avengers. Lee’s heroes and stories were unique in that they did not portray the typical, flawless protagonist. Instead, his characters were more complex, had everyday problems, and were sometimes just outright nerdy. The stories explored deeper, and at times darker, themes. These became wildly popular, opening up the comic book market to a much wider audience. Lee also pioneered a new approach of connecting comics writers with their fans to build a strong comic book community. Unlike others, he would credit writers and illustrators right at the front of the issue, and even name inkers and letterers that were typically omitted from mention. Lee was at the forefront of social change, writing about serious topics that were still taboo (like drug abuse), while introducing the first African superhero in comics in 1966 (Black Panther) and the first African-American superhero in 1969 (Falcon). Lee himself wrote countless stories, edited just about all the others, and also penned a monthly article, “Stan’s Soapbox”. In 1981, he moved to Los Angeles to take Marvel from print to television. He would serve as a producer on multiple TV and film adaptations of Marvel characters, most famously in the current Marvel Cinematic Universe – now the highest-grossing film franchise of all time. Lee was also a noted philanthropist and has done a great deal of charity work (especially through his Stan Lee Foundation). He was happily married for nearly seven decades. Lee struggled after his wife passed away last year, and a number of people sought to take advantage of him in his old age. Sadly, he passed away yesterday, at 95. Disney CEO Bob Iger called him “a superhero in his own right,” and said: “The scale of his imagination was only exceeded by the size of his heart.” Click here to see a tribute to Stan Lee, featuring some of his best movie cameos.

9 Ways to Talk Like a Jew

Words of the Week

I used to be embarrassed because I was just a comic book writer while other people were building bridges or going on to medical careers. And then I began to realize: Entertainment is one of the most important things in people’s lives. Without it they might go off the deep end. I feel that if you’re able to entertain people, you’re doing a good thing.
– Stan Lee

Stan Lee’s First Comic, 1941